Trance (2013)

Gotchya films that spin on corkscrew narratives –- “Manchurian Candidate” is my favorite -– succeed only if we care about the characters and only if we dig the deep pit the screenwriters have tossed them into. Danny Boyle’s “Trance” is all crazy turns, pulled rugs, blown loyalties, and bad guys still gabbing after their skull has been shot off. The shocks and surprises hit so often and so outlandishly OTT, it passes suspense and becomes a comedic parade of drunken one-uppers. Numbness sets in. James McAvoy works at an auction house that falls prey to a heist just as a Renoir goes to sale. The work is seemingly lost and our hero is cracked on the skull, leading to memory loss. The heist master (Seymor Cassell) won’t have that and when torture fails, he hires a hypnotist (Rosario Dawson) to peer inside McAvoy’s brain. So to speak. The headachy flash edits are frantic and too hip. The flat characters don’t help. I really could have lived without ever hearing surround sound of vaginal hair being shaved. Boyle, it appears, could not. And if you can get past the firestorm finale without laughing to excess, I salute you. C