When we first see
Michael Keaton as a has-been Hollywood actor at the opening of
tar-black fable “Birdman,” he is floating in midair as the intimidating voice of his once big-screen superhero alter
ego -– see the title -– talks aloud inside his own head. That’s the start of this wondrously warped story. Yes, Keaton, who played comic book hero Batman, plays
an actor who played comic book hero Birdman. Meta comedy is promised and
delivered. Plot: Keaton’s Riggan Thomas is determined to reset his relevance by
staging a Broadway play. The impossible task consumes Riggan:
His lead actor is a prickish actor played by infamously prickish actor Edward
Norton, and Riggan’s daughter (Emma Stone) teeters on drug relapse. Stone, of
course, plays Spider-Man’s girlfriend. Spider-Man appears as a mocking taunt. Brilliant. Questions pop: Mainly, Will Riggan escape Birdman? Director Alejandro G. Inarritu
serves a must-rewatch film about a man more scared of obscurity than death and a damning of the Marvel Movie Universe ruling cinemas and
then flames his own film as Marvel-like action plays out. More than the
art-house deep-thoughts comedy, this strange film is pure wicked fun to watch unspool. A
Tuesday, December 2, 2014
Birdman (2014)
Labels:
2014,
Alejandro Gonzalez Inarritu,
Batman,
Birdman,
Broadway,
comedy,
comic book,
Edward Norton,
ego,
Fame,
fantasy,
Marvel,
Michael Keaton,
New York City,
satire,
superhero,
wicked
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