Such is film. Facts hit the floor faster than bodies. In 200 words, my take downs on these mob take-down films.
“Untouchables”
–- also based on the rah-rah TV show – follows Eagle Scout/U.S. Treasury agent Ness
(Kevin Costner) as he brings in three like-minded heroes (Sean Connery as wise old
cop, Andy Garcia as hothead cop, and Charles Martin Smith as nerd cop) to nail Robert
De Niro’s Capone. Smart casting and smart-looking film.
It smells of Chicago and spent bullets. De Palma and screenwriter David Mamet put us in gorgeous locales -– trains station, courthouses, and filthy red alleyways. Dialogue pops like spent lead: Connery barking about knives at a “gun party” is classic.
I was 13 in ’87 and this became my Instant Favorite Film. The violence, male bravado, scope, and that shoot-out on the stairs. It’s a stellar cops-and-gangsters fantasy for… teenage boys. I’m wiser now, and the red-blood love has waned. This is a sloppy-ass film riddled with dubious continuity errors -– moving corpses, that wondering elevator in the assassination scene, a terrible voice dub throughout, and logic tossed aside in a courtroom finale. Too many scenes make me cringe.
Was De Palma so in love with his own (admittedly great) style, he forgot the importance of details? Hell if I know. Costner is too fantastic to care. B+
It smells of Chicago and spent bullets. De Palma and screenwriter David Mamet put us in gorgeous locales -– trains station, courthouses, and filthy red alleyways. Dialogue pops like spent lead: Connery barking about knives at a “gun party” is classic.
I was 13 in ’87 and this became my Instant Favorite Film. The violence, male bravado, scope, and that shoot-out on the stairs. It’s a stellar cops-and-gangsters fantasy for… teenage boys. I’m wiser now, and the red-blood love has waned. This is a sloppy-ass film riddled with dubious continuity errors -– moving corpses, that wondering elevator in the assassination scene, a terrible voice dub throughout, and logic tossed aside in a courtroom finale. Too many scenes make me cringe.
Was De Palma so in love with his own (admittedly great) style, he forgot the importance of details? Hell if I know. Costner is too fantastic to care. B+
“Squad” whiffs fake as “Untouchables” feels immersed in Chicago lore. You can smell
the wet paint. I read Ellroy. Call me biased. Josh Brolin is WWII Army Special
Forces vet John O’Mara, now a cop assigned to stop New
York-bred Cohen (Sean Penn) from becoming the West Coast Capone.
O’Mara is very Ness to the point I believe writer Will Beall watched “Untouchables” on repeat. Lines are lifted whole. O’Mara also has his three heroes: Robert Patrick as wise old cop, Ryan Gosling as hothead cop, and Giovanni Ribisi as nerd cop. Toss in retro-progression with Anthony Mackie as a black patrolman and Michael Pena as a Hispanic flatfoot named Navidad. (Cringe.)
Plot: O’Mara’s guys shoot the shit out of Cohen’s guys, who do the same back. Penn is comically spittle-tossing evil, his performance falls into hysterics. I laughed my ass off when a ridiculously dickensesque shoeshiner gets whacked. I gather director Ruben Fleischer (“Zombieland”) wasn’t going for giggles among the blood and rape.
As Ness says, “You aren’t from Chicago.” Do not pretend. C
O’Mara is very Ness to the point I believe writer Will Beall watched “Untouchables” on repeat. Lines are lifted whole. O’Mara also has his three heroes: Robert Patrick as wise old cop, Ryan Gosling as hothead cop, and Giovanni Ribisi as nerd cop. Toss in retro-progression with Anthony Mackie as a black patrolman and Michael Pena as a Hispanic flatfoot named Navidad. (Cringe.)
Plot: O’Mara’s guys shoot the shit out of Cohen’s guys, who do the same back. Penn is comically spittle-tossing evil, his performance falls into hysterics. I laughed my ass off when a ridiculously dickensesque shoeshiner gets whacked. I gather director Ruben Fleischer (“Zombieland”) wasn’t going for giggles among the blood and rape.
As Ness says, “You aren’t from Chicago.” Do not pretend. C
No comments:
Post a Comment