Sunday, January 6, 2013
Les Miserables (2012)
The
big-screen adaptation of the tragedy/musical “Les Miserables” is everything
every N.Y. film critic has said: Bombastic, sentimental, and manipulative;
it tosses out tragedies like candy at a parade and has a story arc that could
rival the Bible, but -- so what? Have they read Victor Hugo’s novel? The contrivances that drive its plot are halved here, and still may produce viewer whiplash. Hugh Jackman plays the Job-like French peasant Jean Valjean who finds faith and wealth
after serving a grueling 19-year prison sentence for stealing bread, and sees
raising the child of a doomed street woman named Fantine (Anne Hathaway) as his
God-ordered duty. Meanwhile, he dodges an obsessive police inspector (Russell
Crowe) hell-bent on law and order. Directed by Tom Hooper (“King’s Speech”), “Mes”
proudly defies cynicism, and my cynical-self fell for it, especially the
actors who sing on and to the camera with none of the lip-syncing shit that makes
most musicals a chore. Crowe may be a blank, but Hathaway gives a performance that
left me rattled. Jackman, too. Yes, it oozes excess at every turn, but Hugo would happily hum along. I did. B+
Labels:
2012,
Ann Hathaway,
cynicism,
France,
God,
Hugh Jackman,
Les Miserables,
lip sync,
musical,
peasant,
Russell Crowe,
Tom Hopper,
Victor Hugo
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