Showing posts with label Priest. Show all posts
Showing posts with label Priest. Show all posts

Tuesday, December 2, 2014

Calvary (2014)

Brendan Gleeson plays an Irish village priest who receives a death threat in the confessional box at the start of “Calvary.” “I was 7 when I first tasted semen,” the instigator says, proclaiming that he wants to slay a good priest in the name of revenge as the abuser priest has died. Refusing police help, James seeks out the man in secret among the locals, including a bartender, a butcher, the mayor, the mayor’s gay trick, a pathologist, an American writer, and a wealthy, lonely Londoner. Near all angry at life for its cruelty, or the Church, longtime protector of child rapists. James’ soul is righteous, he having lived as husband and father, his wife now dead, his grown daughter (Kelly Reilly) troubled and haunted. Writer/director John Michael McDonagh’s drama focuses on the trouble and glory of faith, even lost. James’ spirit bends as his week turns to violence, from the same man, others? Rarely is religion treated with such somberness. Alas McDonagh serves up blatant, ugly stereotypes. The trick is a Fox News cartoon. That said, the end broke me as James insists on grace over damnation. That, not the stereotypes, is a notion to live by. B

Monday, October 3, 2011

Priest (2011)

Paul Bettany says he is an atheist. Yet the man seems obsessed with God. Overtly so. He played an outcast priest in “Reckoning,” an albino monk assassin (!!) in “Da Vinci Code,” a devout and troubled Charles Darwin in “Creation,” and a vengeful angel of God in “Legion.” In “Priest,” he scowls as a ninja clergymen battling vampires. Priests slicing vampires with swords! Makes sense. This ought to rock. But it’s a dull flick with “Matrix” fight scenes leftover from 1999, and art direction that marries blown-out white dessert to “Blade Runner” cityscapes. It’s all ugly, and PG-13 safe. The sullen Bettany – so cool in “Master and Commander” – is far less interesting than Karl Urban channeling classic Eastwood as the vamp leader or Christopher Plummer channeling a Republican-type giddy on church-state rule. The plot – the Priest must save his kidnapped niece – is pure “Searchers,” but the only thing found is another sinkhole franchise launcher going nowhere. And it was all in 3-D in theaters. Lord have mercy. C-