“Ravenous” is as
wildly offbeat onscreen as its behind-scenes history (rewrites, cast revolts, multiple
directors) indicates. It veers shocker, horror, satire, comedy, drama, fantasty,
and all-out Midnight Movie nuts. It is split open dripping guts on the floor. Oh
so apt for a blood-soaked cannibal tale set in the 1870s California that
marries Cormac McCarthy brooding to Stephen King camp, and featuring Guy Pearce
as a haunted soldier and Robert Carlyle as … let’s call him mysterious.
Pearce is a faux hero who took a dive in battle and is relegated to a western outpost
with other rejects –- bookworms, stoners, drunks, and fundamentalists -– who are visited
by man (Carlyle) who spins a tale of escaping a terrifying camp of cannibals.
Our soldiers unwisely take action. I’ll stop there. Antonia Bird –- third
hired director –- serves up a movie that’s all body parts, none a head, with
Carlyle diving in madly with glee, and Pearce scrambling to keep up. The fight
scenes are underdone, the comedy crashes into indigenous lore, but not a moment
is boring. When a dead character reappears, you could fit a thigh in my mouth. B
Monday, June 30, 2014
Ravenous (1999)
Labels:
1999,
Antonia Bird,
Army,
blood,
California,
cannibalism,
comedy,
gore,
Guy Pearce,
Ravenous,
rejects,
Robert Carlyle,
satire,
violence
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