Tim Burton films always have wild visuals to make any film fan stare in awe, as is the case with “Alice in Wonderland,” his take on the famous Lewis Carroll story of a girl lost in a strange world that only an opium habit could fuel. Burton + Carroll: It’s a marriage made in cinema heaven. But this take isn’t about young Alice’s trip down the rabbit hole. No. It’s about angst-filled teen Alice (Mia Wasikowska) re-falling down the rabbit hole to re-meet Rabbit, the Dweedle twins, the cat … you get the point. Johnny Depp is the Mad Hatter, whacked hair and crazy colored Elijah Wood eyes. Helena Bonham Carter is the Queen of Hearts, a head big enough to block sunlight. Anne Hathaway is the White Queen, who walks around with her hands up in the air. Um, why exactly? It’s all so much, and yet so little. There is no glistening-eye, heart-piercing
wonder here, as in film gods “Beatlejuice” and “Edward Scissorhands.” Danny Elfman provides the film’s best asset, a music score to die for, and paint and draw and write and dream by.
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