Get Carter (1971)

I am supposed to love “Get Carter,” the gritty Brit mob flick about a London enforcer (Michael Caine) going home to north England to kill the bastards who popped his connected brother. And, damn it, Caine is friggin’ brutal bad ass in the role, swinging a woman into bed or swinging a rifle into another man’s skull. But I just could not get into this film, directed by Mike Hodges – who made “Pulp” with Caine, and later “Flash Gordon.” So, I didn’t get “Carter.” There are too many trite names –- Alexes and Allans and Alberts –- and too many scenes where Caine’s Carter has to drive someone palace to meet some guy to talk about another guy he has to go drive to and see and talk some more. And, hey, did Carter even like his brother? No. A gangster film should be watched leaned in, eyes ready for the next blast of violence, not spent studying the bloke under the shepherd’s cap wondering, Now who’s he? The ending, though, knocks you back into the seat. If only all that came previous were as direct. B-

Turbo (2013)

“Turbo” must have started from a resentful marketing meeting at Dreamworks, one where all the writers, animators, and ad guys took a resentful look at Pixar’s much-celebrated filmography and figured, “Let’s mash some shit up.” So “Turbo” is a “A Bug’s Life” crossed with “Cars,” the tale of a lonely garden snail (Ryan Reynolds, in voice, not a costume, silly) who dreams the life of a race car driver before an accident – he’s doused with nitrogen oxide from a hot rod -- makes him as fast as a lightning bolt. And it’s off to the races for him, his Debbie Downer brother (Paul Giamatti) on his tail, literal and figurative. Along the way, our snail boys meet up with two Hispanic taco vendor brothers (Michael Pena and Luis Guzman) who share a mirrored relationship, one dreaming big, the other always ready to down every hope. Let it be clear: I love that a major animated film stars American immigrant characters, but, really, taco vendors? Taco vendors?!? OK. Breathe. My nephew loved it. Does my Debbie Downer take matter? Well, yeah. The animation and voice talent (Giamatti!!) hit big, but this tale is as predictable as left turn, left turn… B

Warrior (2011)

“Warrior” is a two-for-one “Rocky” tale set inside the metal cages of Mixed Martial Arts. Tom Hardy is Rocky 1, a hulking slab of muscle and seething anger named Tommy Riordan, returned home to visit his Found Jesus father (Nick Nolte), a recovering alcoholic whose past sins run deep. In Philly is Rocky 2, Brendan Conlon (Joel Edgerton), an ex-MMA pro now teaching high school physics. The kicker: The men are brothers, split apart by the old man’s carnage. Directed by Gavin O’Connor, who made “Miracle,” the movie plays with every sport film cliché around from the loyal wife to the hero with a dark secret. Nolte’s listening to “Moby Dick” on CD pushes the edge of symbolism, that white whale being his sin. It could have been cut. But like “Miracle,” this is a go-ahead-and-cheer film with the brother-against-brother final bout dishing out drama that hurts. Nolte plays regret so well, and Edgerton (“Animal Kingdom”) is heroic as the underdog fighting to pay the mortgage. But this is Hardy’s film. He stalks and defeats opponents with a Raging Bull glare, and builds on the grisly prison flick “Bronson” and his scene-stealing from “Inception.” He’s up next as the steroid-crazed Bane in “Dark Knight Rises.” Batman better watch his back. B