Showing posts with label Mike Hodges. Show all posts
Showing posts with label Mike Hodges. Show all posts

Wednesday, March 12, 2014

Get Carter (1971)

I am supposed to love “Get Carter,” the gritty Brit mob flick about a London enforcer (Michael Caine) going home to north England to kill the bastards who popped his connected brother. And, damn it, Caine is friggin’ brutal bad ass in the role, swinging a woman into bed or swinging a rifle into another man’s skull. But I just could not get into this film, directed by Mike Hodges – who made “Pulp” with Caine, and later “Flash Gordon.” So, I didn’t get “Carter.” There are too many trite names –- Alexes and Allans and Alberts –- and too many scenes where Caine’s Carter has to drive someone palace to meet some guy to talk about another guy he has to go drive to and see and talk some more. And, hey, did Carter even like his brother? No. A gangster film should be watched leaned in, eyes ready for the next blast of violence, not spent studying the bloke under the shepherd’s cap wondering, Now who’s he? The ending, though, knocks you back into the seat. If only all that came previous were as direct. B-

Friday, February 7, 2014

Pulp (1972)

Mike Hodges’ Italy-set dark comedy “Pulp” is the tale of a crime writer (Michael Caine) who fancies himself a gangster and a blowhard retired actor (Mickey Rooney) who was once that gangster. The plot: Novelist Mickey King gets hired to ghost write the memoirs of Rooney’s mobster, and all that pulp fiction that bubbles out of King’s pointy head becomes real with guns, bombs, and bodies. Hodges (“Flash Gordon,” a long-time guilty pleasure favorite) starts strong with a free-spirit slapstick vibe that screams anything goes, but that pitch comes with a price. Vital exposition is endlessly told, rarely shown, by Caine, and when Rooney exits, “Pulp” loses its punch. By the finale, set on a beach and truly unexplainable, nothing seems worth caring about. As that’s how King operates, maybe it’s on purpose, and I’m just not hip to the joke. Caine is marvelous, making a joke of his fantastic accent and lady-killer charisma. But I loved Rooney. I prefer him gruff, here and in “Requiem for a Heavyweight.” (He’s damn funny, too.) This tiny guy blowing fury, tearing down meat-hook-hands guys 6 foot 5? It’s great stuff. B