Veronica Mars (2014)

I went into “Veronica Mars” with not just a blank canvas, but a mistaken impression. I thought the cult hit TV show with Kristen Bell (“Frozen”) followed a high school journalist with a Scooby Doo bent. My error. Bell’s Mars is, in fact, an ex-private investigator who worked as a teen for her father (Enrico Colantoni) who dug dirt in a tiny California town. Now 10 years on, Veronica has ditched the PI life and the West Coast for law and New York City. On the cusp of a big interview, she gets called back home to help an ex (Jason Dohring) accused of murder. Of course Veronica is reluctant to return, but we know she will and we know she will stay, but forget the “we knows.” Writer/director Rob Thomas serves us great characters, a rare small town that vibes authentic, and a slash at the misery of high school reunions. Yes, a reunion coincides with the murder. Far too much? Thomas knows and has fun. The dialogue is playful -- Colantoni has the best lines -- without getting high on its own smoke, a la “Juno.” Not enough to get me on the show, but solid entertainment. B+

Frozen (2013)

Disney’s “Frozen” -– adapted from the Hans Christian Andersen’s book “The Snow Queen” -– is a solid piece of Disney Princess entertainment with catchy music. It might not stand aside instant-classic “Beauty and the Beast,” but it’s nice to see a throwback to that early 1990s era. Plot: A princess (Kristen Bell) vows to save the older sister (Idinia Menzel) she was once so close to as children after the latter unintentionally puts their perfect kingdom into a literal deep freeze. See, the sister/queen can create X-Men-style ice and snow with her hands, but has little control of the power. The townspeople seek vengeance, but our princess pleads forgiveness. Toss in a macho man, his BFF reindeer, and a singing snowman, and we have an adventure. Not all the pieces fit -- I love that little snowman (voiced by Jonathan Groff) with his ode to summer song, but he whiffs of tacked-on comedy relief. Ditto rock trolls. I dug, though, our female leads and the genre-tweaking dig at instant love and charming princes. The computer animation is flawless, naturally. But watching this old-school story, I longed for the nuance of hand-drawn animation. Flawless often can be … cold. B+