Michael Bay’s “Transformers:
Age of Extinction” is a 170-minute endurance test thud thud thuding loud as slick CGI and slo-mo explosions litter the screen with buildings, trains, and cars
crashing and people running about, always at magic hour. In Bay’s world, every day has
five sunsets. The original cast is out, replaced by Mark Wahlberg as a Texas
inventor/redneck/father with a Boston accent who happens upon wounded alien
robot hero Optimus Prime -– stoic Autobot leader -– and ends up chased by
Uncle Sam thugs led by Kelsey Grammer. Our heroes bolt to Utah then Chicago and
then Hong Kong, because in China everyone knows kung fu. And Asia means box
office coin. Thousands of people die as robots fight and Wahlbeg’s dad saves
his pretty teen girl (Nicola Peltz) whose ass Bay glares at, endlessly. The
script talks the death of original cinema early on, but “T4” unironically regurgitates
films 1-3 and stacks bewildering logic lapses one upon the other. Greatest jaw-dropper: Beijing and Hong Kong within a short drive. Even by
the greatest allowance for “dumb” fun and the occasional jolt of a cool image
(all those sunsets), Bay’s films are
cinema’s death. Soulless, brainless empty robots. D
Monday, July 7, 2014
Transformers: Age of Extinction (2014)
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Transformers: Age of Extinction
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