How long would it take a Londoner to realize his city has been taken over by zombies? In “Shaun of the Dead,” whole freakin’ days. Simon Pegg’s Shaun is a 29-year-old electronics retail clerk who is clueless about his girlfriend (Kate Ashfield) and best pals with flatmate Ed (Nick Frost), a fatty who farts on cue. The horror bits arrive ever so slow, a peek here, a fuzzy background shot there. Then the blood hits. Our heroes scramble, bicker and fight back. Director/co-writer Edgar Wright trashes everything about zombie flicks, London society and the media. Fantastic scenes abound: The best may be a fight where Shaun and Ed fling old records – but not their favorites – at two dead heads. I could drone on about my favorite bits: The “western bar” showdown, Bill Nighy as a (step!) dad who won’t let being dead marginalize his hatred of speed metal, and the not-subtle joke that Shaun is with the wrong girl. This satire plays smarter than most of the films it’s ripping. Pegg is brilliant as the exasperated hero. Whatever that means.
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