“Jobs” -– the biopic of
Steve Jobs -– is not the dud everyone has proclaimed it to be. I say that in
hindsight having watched the movie after it took a critical drubbing and box office
dive. Ashton Kutcher plays the famed Apple founder from bum-ass college days until
the intro of the iPod, the tiny device that turned the music industry on its
head. That’s the hook: We open with the iPod and jump back to Jobs in college,
then lead back up to the start. We see Jobs’ genius and his gift of knowing what people want, and, yes, his asshole tendencies. The film is at its best when we stick
to Jobs’ desire to change the world with tech that can change how people do ... everything. Oddly, we never do
see the birth of the iPod. Really. Just hints. That stings. Edited out? Why? More
oddly, we skip over the Pixar years where Jobs learned to see the visions of others and build his family.
Kutcher has the look and quirky walk -– oddly comical to tell the truth -– down. That’s
good. But those dark Jobs’ moments, Kutcher falls short, too nice a guy? Passable. B
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