“The Postman Always
Rings Twice” comes from the same writer who gave us “Double Indemnity,” and the
film plots play similar games: A guy (John Garfied) with no ties finds himself
tied up with the married woman (Lana Turner) of a much older man who seems more
Daddy than Hubby, and Daddy’s gotta go. For money and sex. Back up on that sentence,
there’s just kissing here. This was the 40s after all. The first shot shows
“Man Wanted” sign outside a roadside diner/ gas station, a riotous gag as the
husband (Cecil Kellaway) is looking for help to run the quaint business, while
wife is looking to take over the place and trade up her bed partner. Turner’s
broad is playing from the go: When she drops her lipstick at Garfield’s feet in
her introductory scene, it’s no accident it rolls far. The acting is aces and
daggers, with Hume Cronyn (“Coccoon”) slashing deepest as a sleazy lawyer. True
classic? Ehh. I hate the final scene as someone
must morally and logically flip-flop with out-of-this-world gymnastic skills in
order to meet the Hayes Code of the day that all criminals must be contrite,
and then die. This was the 40s... A-
Monday, October 28, 2013
The Postman Always Rings Twice (1946)
Labels:
1940s,
classic,
crime,
film noir,
Hayes Code,
Hume Cronyn,
John Garfield,
Lana Turner,
murder,
Postman Always Rings Twice
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