Showing posts with label 1955. Show all posts
Showing posts with label 1955. Show all posts

Tuesday, August 4, 2015

The Night of the Hunter (1955)

My Absolute Favorite Film has a new calling card. “The Night of the Hunter” is a stark black-and-white Southern gothic horror about a serial killer preacher (Robert Mitchum) who sets his demonic eyes on a widow (Shelley Winters) and her children (Billy Chapin and Sally Jane Bruce) as he seeks stolen money. Mitchum’s Rev. Harry Powell is film’s greatest villain, a singer of hymns who talks to God, assured his evil deeds are natural. “There’s plenty of killings in your book.” The genius realization: Charles Laughton directs this masterpiece for the child in us all, especially those of us who when young were suspicious of all those churchy smiles. “Hunter” is a child’s worst nightmare: Rooms boast crazed geometric shapes, wild animals loom gigantic, mother dies, rivers flow backward, and streetlamps throw evil shadows on walls. Mitchum’s preacher -- one hand tattooed LOVE, the other marked HATE -- turns faith into a war on every innocent soul. If the final closing words of reassurance from Lilian Gish’s kindly matriarch go on too long, it is not for the benefit of the terrified, surviving children on screen, but us in the audience. An absolute perfect marvel for soul, heart, and mind. A+

Monday, July 27, 2015

Film Round Up, Part IV

Another quick dive through several films I've watched recently... 

Dreamworks’ How to Train Your Dragon 2 (2014) –- clunky title aside -– smartly carries the story of a boy warrior (Jay Berchanal) and his pet dragon, the former coming of age and discovering a family secret even his own father did not know. If “Dragon” 1 was a wondrous adventure for the young set, this chapter is for pre-teens mature enough to know adventure often brings crushing hurt along with glory. B+

Kiss Me Deadly (1955) is the classically warped film noir with detective Mike Hammer tracking the ID of a woman he meets in the road, hours before she dies. This Hammer (Ralph Meeker) is too GQ clean -– I get it, Hayes Code -– but he can play cruel, within the Hayes Code. The famous leftward climactic turn is one of the great WTF movie moments, inspiring even “Pulp Fiction.” Quite a “Twilight Zone” trip. A-

Wrath of the Titans (2013) is a massive step-up from its predecessor, 2010’s “Clash of the Titans.” I gave that miserable CGI bore a C+, and was generous to do so. Somehow it begat a sequel, but -– shocker -– this chapter improves as Perseus (Sam Worthington) heads Down Under to the Underworld to save dad Zeus (Liam Neeson) from death. It’s still a CGI overload, dumb as hell (good guys fight demons with... fire?!!?), but it’s got a more humorous wink-wink vibe, and Neeson and Ralph Fiennes (as Hades) ham it up wonderfully. B